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der præger vores tid og verden generelt
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the artist G begins to paint upside down
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Fruiting Bodies der præger vores tid ogYing Angs Fruiting Bodies reimagines the mushroom as both a biological form and a feminist metaphor an emergent, generative force that challenges dominant narratives of fertility and the female body. Photographed while walking through inner city parks close to the artists home in Melbourne, the series examines how the fetishisation of fertility has shaped cultural perceptions of women, nature and reproduction, questioning whether growth and abundance
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